When we started planning Jasper #3 we looked at the date the magazine was due and thought — really? Would anyone really be interested in a new issue of an arts magazine so early in the year — so close to Christmas? Having increased the size of Jasper #2 by 8 pages we thought that maybe we should ease back for #3 and go back to our original 48 pages. We also thought it would be a good idea to make the issue somewhat literary heavy, given that so many folks would still be in that holiday state of mind in the middle of January, and not much would be going on in the performing or visual arts.
So we thought.
It didn’t take long for us to realize that there was way too much going on to reduce the pages of the magazine — in fact, we increased them even more. Jasper #3 will be 16 pages longer than Jasper #1. But the fascinating thing about putting together a magazine that is reflective of the arts community it represents is how organic the whole process is. For example, our choices of cover artist and centerfold artist easily gave way to our choice of venue for the celebration of the release. Our Jasper Reads story led us to our choice for Guest Editorial. An essay written by an esteemed visual artist on how social service can act as a muse for creation directed us to another story on a local theatre troupe that we quickly made room for and wrote. Our story on Columbia’s choral arts scene suggested an obvious choice for entertainment at our release event. Things like that.
The other thing that surprised us was just how much would be going on in the performing and visual arts community this early in the calendar year.
This week has been packed already with an abundance of diverse and stimulating art. Tuesday night we had the opportunity to visit Tom Law’s Conundrum concert hall and sit in on Jack Beasley’s The Weekly Monitor, which hosted Elonzo, Magnetic Flowers, and Henry Thomas’s Can’t Kids.
Magnetic Flowers blew us away, by the way, and we’ve listened to their new CD 4 times in the last 24 hours. For more on Magnetic Flowers, read Kyle Petersen’s story in Jasper #3. We were also pretty charmed by the raw almost 80s sounding tunes of the Can’t Kids. I look forward to hearing what Kyle has to say once he gets a chance to listen to their new CD.
Wednesday night saw us attending the opening reception for Thomas Crouch’s new show in the Hallway Gallery at 701 Whaley. We’re pretty big Crouch fans already, and it was great to see some of his new work and to meet his mom, duly proud of her boy. Kudos to Lee Ann Kornegay and Tom Chinn for making blank wall space meaningful. We hope to see more and more businesses do the same. There is no shortage of art to hang on Columbia’s walls.
Which brings us to Thursday night — the celebration of the release of Jasper #3 as well as Night #1 in Columbia Alternacirque’s 3-Night Festival of Doom. We hate missing this first night of the only kind of circus we’re ever interested in seeing, but we’re reassured that there are two more nights of awesomeness we can avail ourselves of AND Ms. Natalie Brown — the mother of the tribe — will be visiting us down at the Arcade as soon as she’s off the boards at CMFA Thursday night. For more on Natalie Brown, read Cindi’s article on her in Jasper #3.
Much like this issue of the magazine our release event scheduled for Thursday night has grown far beyond our initial intentions. Rather than being a quiet evening of acoustic music and intellectual conversation, as we thought it might be, it has turned into a multi-disciplinary arts event.
Here’s what to expect:
- 7 – 7:15 — a performance from the balcony of the Arcade Building by the Sandlapper Singers (Read Evelyn Morales’s piece on them and the rest of the choral arts scene in Jasper #3)
- 7:15 – 7:30 — Kershaw County Fine Arts Center will perform three of your favorite songs from the musical Chicago
- 7:30 – 7:45 — the NiA Theatre Troupe will perform
- 7:45 – 8 and throughout the evening, a young acoustic guitarist named David Finney will play classical guitar
- then, starting about 8 pm rock ‘n’ roll time, Tom Hall has arranged for the nationally known and esteemed Blue Mountain band featuring Cary Hudson to perform
- Chris Powell’s The Fishing Journal will follow them up (See Jasper #2 for a little ditty on the Fishing Journal)
- and then, the Mercy Shot, with Thomas Crouch from Jasper #2, will play.
- In the meantime, Michaela Pilar Brown will be displaying her most recent work in the Arcade lobby, and
- street artist Cedric Umoja will be demonstrating his work (Read more about Michaela in Jasper #3 as well as Alex Smith’s article on Cedric), and
- all the galleries of the Arcade Mall will be open — including those of our Cover artist and Centerfold!
- Throughout the evening we’ll have the return of our famous EconoBar with cheap beer, decent wine, and big spender craft brew at $2, $2, and $4 respectively, and
- a nice little cheese spread courtesy of our friend Kristian Niemi and Rosso, as well as
- a sampling of delicious roasted coffees from SC’s own Cashua Coffee, and
- the Krewe de Columbia-ya-ya will be on hand to school us all on the importance of parades, beads, beer, and dogs.
- And, of course, there will be the release of Jasper #3.
Not a bad night for free, huh?
Please join us in the historic Arcade building on Main and Washington Streets, Thursday night, January 12th from 7 until 11 pm as we celebrate the art that makes us all get up in the mornings. The afterparty is at the Whig. We hope to see you both places.
Thank you for your support, Columbia.
— Your Friends at Jasper