Get on board for a swashbuckling romp at Columbia Children’s Theatre! How I Became A Pirate is a rollicking good time for audiences of all ages. Director Jerry Stevenson and the exceptional cast and crew have created a delightful theatre experience with a crowd-pleasing band of pirates. Based on the book by Melinda Long and Caldecott Honor-winning illustrator David Shannon, this musical features book, music, and lyrics by Janet Yates Vogt and Mark Friedman. Kids will enjoy the action-packed plot, adults will snicker over clever wordplay, and everyone will leave the theatre grinning and snarling “Argh!” and “Ahoy, matey!”
While digging in the sand, young Jeremy Jacob encounters a raucous bunch of friendly pirates. Audiences will savor lively lessons that range from talking like a pirate to burying treasure. In the most rewarding educational settings, learning is a reflexive process; in this story, Jeremy Jacob is both student and teacher, as he leads the pirates through a tutorial on “soccer by the rules.” The script and lyrics capitalize on word jokes that will tickle audiences both youthful (“poop deck”) and seasoned (rhyming “flamingo” with “Ringo”). How I Became A Pirate allows even the more cautious younger viewers to revel in risk-taking by establishing a base of reliable security. We realize early on that this is no ordinary beach (“yo ho ho and a bottle of sunblock”), yet children are reassured of the boy’s well-being (“We’ll get you home safe and sound”). While kids shriek in gleeful anticipation as pirates invade the audience, they also recognize the fictional nature of the scurvy band. At the performance I attended, one small girl announced, “He’s not a real pirate – he doesn’t even smell bad!”
Although CCT has staged How I Became A Pirate previously, this production has a new script and music. The sole remaining element from the previous show is actor Lee O. Smith in the role of Captain Braid Beard – and what a marvelous captain Smith becomes. He snarls, grimaces, cajoles, and surprises, leading the energetic ensemble through a polished, exuberant jaunt. Ashlyn Combs demonstrates an appealing singing voice and earnest sincerity in the role of the young boy Jeremy Jacob. Complete with eye patch, beard, plumed hats, and sketchy dental care, the memorable pirate crew features capable performers who take full advantage of the characters’ distinct personalities. Brandi Smith as Maxine reveals a glorious voice and comedic flair, Julian Deleon shines as the congenial Pierre, and Andy Nyland relishes the complexity of Sharktooth, who demonstrates that outward appearances can be misleading. As the playful Seymour, Anthony Harvey delivers a dynamic performance, punctuated by an impressive spiel of pirate lingo. Paul Lindley II as the inimitable Swill is downright hilarious. Is there any role this talented actor can’t play? With my faithful theatre-going companion (my six-year-old daughter), I have admired Lindley’s remarkable performances in numerous roles at CCT and elsewhere.
Stevenson stages the musical with skillful wit. Through physical comedy, the actors inhabit a convincing pirate world, as in Jeremy Jacob’s wild steering of the ship. Particular sequences to watch for include the adept “minivan” staging, a fluid soccer game, and a blustery storm at sea. Crystal Aldamuy (Stage Manager and Choreographer), David Quay (Light Board Operator), Matt Wright (Sound Technician), and scenic artists Anthony Harvey, Donna Harvey, Jim Litzinger and Toni Moore collaborate with Stevenson to deliver a top-notch production.
Crisp choreography and excellent vocal quality contribute to the musical’s success. From the opening scene’s impressive sandcastle to the seamless transition into the closing moments, the set design works beautifully to suggest multiple locations and changing moods. Donna Harvey and Stevenson achieve splendid richness in the pirate costumes, melding a vivid color palette with lush textures. Sharktooth’s eye-catching tattoos deserve special mention, along with noteworthy “mop” choreography. As an enthusiastic fan of the original picture book’s illustrator David Shannon (No, David! and Duck on a Bike, anyone?), I wondered how the book’s strong visuals would be interpreted onstage. I was happily delighted with the design team’s unified aesthetic that is both fanciful and functional.
As Stevenson recognizes in the program notes, “Wouldn’t we all like to be swept away on the high seas where there are no jobs, no school, no rules and no bedtimes!” Although the story highlights the delicious prospect of endless amusements and boisterous shenanigans, the comforting allure of dependable family life also emerges. The ensemble finds a powerful balance between comic hijinks and poignant tenderness. Purposeful performances and clarity of direction enhance moments like a wistful ballad on the goodness of home. As my six-year-old explained, “My favorite part was when Jeremy Jacob sang about home because it made me feel happy to think about my home.” In the midst of upbeat humor and captivating storytelling, a shining vein of relatable honesty runs through a genuinely human experience.
While my daughter and I have become accustomed to looking forward to first-rate productions at CCT, this show feels especially terrific. Take it from me, matey: learning how to be a pirate is a fun-filled voyage in this high quality performance at the Columbia Children’s Theatre.
~ Melissa Swick Ellington
Show Times: Friday, September 26: 8:00 p.m. – Late Night Date Night for adults
Saturday, September 27: 10:30 a..m. , 2:00 p.m., and 7:00 p.m. (with tickets half-price for the 7 PM show!)
Sunday, September 28: 3:00 p.m.
For ticket information, visit http://www.columbiachildrenstheatre.com/how-i-became-a-pirate/.